李國麒畢業於香港中文大學音樂系。後負笈美國西北大學修讀碩士課程，主修演奏。由於學業及演奏成績優異，獲頒發學院榮譽獎狀，並獲美國著名音樂學會 Pi Kappa Lambda授予終生會籍。

回港後，李氏一直投入演奏、教育及音樂推廣工作。除為多間中、小學創立、教授及指揮樂團外，亦曾擔任香港中文大學音樂系長號導師一職。教學方面，李氏曾任教於香港中文大學校外進修學院、理工大學、香港教育學院及香港藝術中心藝術學院。此外，李氏曾為香港管弦樂團、音樂事務處、香港藝術圖書館、歷史博物館、康樂文化署及各中、小學主持音樂欣賞講座，亦曾為香港電台第四台主持節目。輕鬆幽默的風格一直廣受聽眾的歡迎和愛戴。

李氏除在報章和音響雜誌刊登文章外，亦經常為康樂文化署和香港管弦樂團撰寫音樂會曲目介紹。九五年曾與香港管弦樂團合作出版「浪漫之後」音樂欣賞冊子和鐳射唱片；九六年亦為寶麗金唱片公司編撰《WHY》、《WHY KLAVIER》及《PASSPORT TO MUSIC》等極為暢銷的鐳射唱片，對古典音樂的普及和推廣可謂不遺餘力。

李氏擁有豐富的演奏經驗，曾和多個訪港及本地音樂團體合作，計有莫斯科交響樂團、波士頓交響樂團、香港管弦樂團及香港小交響樂團等；並曾組成長號四重奏T-Bone Party及銅管樂合奏團Joseph Lee Brass Ensemble，在不同場合演出。此外，還經常在本港各表演場地舉辦長號獨奏會。
自千禧年開始，李氏便積極投入木笛演奏，獲英國皇家音樂學院頒發木笛演奏文憑 (LRSM) 。二零零五年李氏創立木笛組合「匠心木韻」(L’Art du Bois)；在沉重的工作之餘不忘到各中、小學及其它表演場地舉辦音樂會，致力推廣木笛音樂。

過去十年，李氏每年夏季均參與歐洲各地古樂節、大師班及古樂器演奏課程以充實自己，因此對古樂的興趣逐漸由木笛擴展至「中世紀」及「文藝復興」時期的各類音樂和樂器。李氏在二零一三年和幾位志同道合的年輕音樂家組成「匠心薈」(L’Artiste)，並希望透過一系列的音樂會、講座和工作坊，為觀眾介紹一些甚少有機會在本港演出的早期音樂作品和樂器。  

Photo Credit : Anat Nazarathy

李芷晴

Dr. phil., Universität Zürich
Master of Arts in Music Performance, Schola Cantorum Basiliensis
Specialised Master of Arts in Music Performance, Schola Cantorum Basiliensis
MMus., King's College London
B.A. in Music (Hons.), CUHK, FRSM (Dist.), LRSM (Dist.), LTCL (Dist.)

Basel-based performer and musicologist Fiona Kizzie Lee is frequently praised by critiques for her exceptional versatility, demonstrating equal artistry on recorders—including pipe and tabor and double recorder—and early keyboard instruments such as organetto and clavisimbalum. She is the director of the award-winning Ensemble Pampinea, with which she has developed innovative and research-informed concert programmes. Her performances have taken her across Europe and beyond in Switzerland, the United Kingdom, Germany, Poland, Czechia, Slovenia, Italy, Lithuania, Austria, the Netherlands, and Canada. Under her direction, her ensembles have received international acclaim, winning First Prize at the London Early Music Young Ensemble Competition and becoming finalists at the Musikfestspiele Potsdam Sanssouci in Germany and the International Young Artists Competition in England. 
Alongside her performing career, Lee is an active educator and speaker in the field of early music. She has taught at the Renaissancemusikwoche in Sondershausen (Germany) and the International Summer School of Early Music in Valtice (Czech Republic), as well as given guest lectures and workshops at the Education University of Hong Kong, the University of Calgary, and the Ljubljana Academy of Music.
A Scholar of The Jockey Club Music and Dance Fund and The UZH Candoc Grant, Lee combines artistic excellence with meticulous scholarship. She obtained two Master’s degrees in Medieval/Renaissance recorder and early keyboard performance in the class of Corina Marti at the Schola Cantorum Basiliensis in Switzerland. Her doctoral dissertation, “15th-Century Central European Keyboard Tablatures in Context,” was awarded summa cum laude at the University of Zurich.